
The Repentant Magdalen
Georges de La Tour·c. 1635/1640
Historical Context
Georges de La Tour painted The Repentant Magdalen around 1635-40, one of his most iconic candlelit compositions. La Tour's nocturnal paintings, which survive in frustratingly small numbers, represent a unique achievement in French Baroque art — reducing scenes to their spiritual essence through radical simplification and the meditative play of candlelight. The Magdalen contemplating a skull by candlelight became his most repeated composition, with several versions known.
Technical Analysis
La Tour's technique achieves almost abstract purity through the reduction of form to simplified geometric volumes illuminated by a single candle. The mirror's reflection, the skull, and the flame create a meditation on vanity and mortality rendered with the smooth, precise paint surface that characterizes his mature style.
Provenance
Marquise de Caulaincourt, by 1877; by inheritance to his sister, comtesse de Andigné, by 1911.[1] art market, Paris; André Fabius, Paris, by 1936;[2] purchased 1974 by NGA. [1] On the back of the stretcher is the stencil of Etienne-François Haro (1827-1897) and his son Henri (1855-1911), important Parisian restorers and vendors of art supplies, as well as artists themselves. An entry in the Haro account book for 9 October 1877 provides the early provenance, information that was first published by Pierre Rosenberg and Jacques Thuillier, "George de La Tour," _Revue du Louvre et des Musées de France_ 22, no. 2 (1972): 161, followed, with slightly differing details, by Pierre Rosenberg and François Macé de l'Épinay, _Georges de La Tour: vie et oeuvre_, Fribourg, 1973: 140, and Benedict Nicolson and Christopher Wright, _Georges de La Tour_, London, 1974: 175. [2] The three references to the painting that discuss its provenance (see note 1) provide differing accounts of when and where Fabius acquired the painting: Rosenberg and Thuillier 1972 say 1936; Rosenberg and Macé de l'Épinay 1973 say a public sale in 1936; Nicolson and Wright 1974 say the Paris art market before 1936.
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