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The Grave of William Penn by Edward Hicks

The Grave of William Penn

Edward Hicks·c. 1847/1848

Historical Context

Hicks's Grave of William Penn, painted around 1847-1848, depicts the burial site of the Quaker founder of Pennsylvania at Jordans Meeting House in Buckinghamshire, England. This late work reflects Hicks's deep veneration for Penn as the embodiment of Quaker principles of peace and justice. The painting serves as a kind of pilgrimage image, documenting a sacred site in Quaker history with the careful attention to specific detail that characterizes Hicks's topographic works.

Technical Analysis

Hicks's oil-on-canvas technique renders the gravesite and surrounding buildings with documentary precision and the characteristic flat, decorative quality of his folk style. The somber palette and orderly composition create an atmosphere of reverent stillness appropriate to the memorial subject.

Provenance

Richard Price, Philadelphia, or Joshua Longstreth, Price's father-in-law.[1] Sold by Miss Marian Beans, a descendant, to (Robert Carlen, Philadelphia);[2] sold 1944 to (Edith Gregor Halpert, Downtown Gallery, New York); sold 1944 to (M. Knoedler and Co., New York); sold 1944 to Joseph Katz, New York; sold 1947 to (M. Knoedler and Co., New York); sold 1947 to Edgar William and Bernice Chrysler Garbisch, Pokety Farms, Cambridge, Maryland; bequest 1980 to NGA. [1] Eleanor Price Mather, letter of 14 January 1982, in NGA curatorial files, states that this is the only _Grave of William Penn_ without an inscription on the reverse naming the original owner. A 10 January 1949 letter from Philadelphia art dealer Robert Carlen to Colonel Garbisch (in NGA curatorial files) refers to Richard Price as "a member of the family for whom he [Hicks] painted the Picture `Wm. Penn's Grave at Jordan's Metting in England' which is now in your collection." From this Mather feels that the original owner may have been Price or his father-in-law, Joshua Longstreth, since Hicks instructs Price to mention to his "father in law as he has a taste for farming & Cattle that there is a flock of sheep & cattle on the peace I allude to..." (Hick's undated letter to Price, owned by the Friends Historical Society of Swarthmore College, Pennsylvania, as transcribed by Carlen for Garbisch in the 10 January 1949 letter; in NGA curatorial files). [2] According to Carlen, in a letter of 3 July 1970 to Colonel Garbisch, in NGA curatorial files.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
overall: 60.4 × 75.5 cm
Era
Romanticism
Style
British Romanticism
Genre
Landscape
Location
National Gallery of Art, Washington, D.C.
View on museum website →

More by Edward Hicks

The Cornell Farm by Edward Hicks

The Cornell Farm

Edward Hicks·1848

Penn's Treaty with the Indians by Edward Hicks

Penn's Treaty with the Indians

Edward Hicks·c. 1840/1844

The Landing of Columbus by Edward Hicks

The Landing of Columbus

Edward Hicks·c. 1837

Portrait of a Child by Edward Hicks

Portrait of a Child

Edward Hicks·c. 1840

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