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Family Group by Francis Wheatley

Family Group

Francis Wheatley·c. 1775/1780

Historical Context

Francis Wheatley painted this family group around 1775-80, contributing to the English conversation piece tradition established by Hogarth and refined by Zoffany. Wheatley, who exhibited at the Royal Academy from 1778, was known for his portraits and genre scenes that captured the domestic life of the English gentry. His conversation pieces depict their subjects in informal, naturalistic settings that convey the values of the Georgian propertied class.

Technical Analysis

Wheatley arranges the family group with easy informality, using warm, natural lighting and a landscape setting typical of English conversation pieces. His fluid brushwork and harmonious palette of greens and warm flesh tones create an atmosphere of relaxed domesticity.

Provenance

Lady Sarah Spencer, sixth daughter of John, 7th duke of Marlborough, by 1891.[1] Mrs. Boyle; (sale, Christie, Manson & Woods, London, 7 July 1894, no. 98, as by Zoffany);[2] (P. & D. Colnaghi, London). Lady Grace Alexander Lister;[3] (sale, Sotheby's, London, 24 February 1960, no. 122, as by Zoffany); purchased by (P. & D. Colnaghi, London) for Paul Mellon, Upperville, Virginia; gift 1983 to NGA. [1] Per _Works by the Old Masters, and by Deceased Masters of the British School. Winter Exhibition_, Royal Academy of Arts, London, 1891, no. 17, as by Zoffany. [2] The Getty Provenance Index, in a letter of 9 June 1988 (in NGA curatorial files), provides the name of the consignor at the 1894 sale, taken from Christie's records. [2] The Getty Provenance Index, citing Colnaghi records, lists an additional owner, William Cleverly Alexander [d. 1916] of London and Heathfield, Sussex, as purchaser from Colnaghi's in 1894, followed by Lady Grace Alexander Lister of London and High Wycombe, Buckinghamshire, "daughter of W.C. Alexander," who acquired the painting "presumably [as a] gift or by inheritance" from her father. She married Col. Sir William Tindall Lister in 1894. John Hayes' suggestion that she was perhaps the widow of Sir Frederick Spencer Lister, published in the 1992 NGA systematic catalogue of the British paintings, was in error.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
overall: 91.7 × 71.4 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Genre
Location
National Gallery of Art, Washington, D.C.
View on museum website →

More by Francis Wheatley

Young Marlow and Miss Hardcastle: A Scene from <i>She Stoops to Conquer</i> by Oliver Goldsmith (Act V, Scene 3) by Francis Wheatley

Young Marlow and Miss Hardcastle: A Scene from <i>She Stoops to Conquer</i> by Oliver Goldsmith (Act V, Scene 3)

Francis Wheatley·ca. 1790-ca. 1791

The Dublin Volunteers on College Green, 4th November 1779 by Francis Wheatley

The Dublin Volunteers on College Green, 4th November 1779

Francis Wheatley·1779

The Salmon Leap, Leixlip by Francis Wheatley

The Salmon Leap, Leixlip

Francis Wheatley·1783

The Irish House of Commons, 1780. by Francis Wheatley

The Irish House of Commons, 1780.

Francis Wheatley·1780

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View on the River Roseau, Dominica

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