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Otho, with John Larkin up by George Stubbs

Otho, with John Larkin up

George Stubbs·1768

Historical Context

Otho with John Larkin Up from 1768 by George Stubbs documents a racehorse and its jockey in one of the artist's most characteristic Newmarket compositions. The naming of both horse and jockey reflects the documentary function of such paintings—records of specific racing partnerships commissioned by owners who wished to commemorate particular animals and their principal riders. Otho was a successful racehorse of the period, and his jockey John Larkin was a professional rider of the Newmarket circuit. Stubbs's equine paintings of the 1760s, produced immediately after his Anatomy of the Horse (1766), represent his mature racing style at its most confident: the horses rendered with unprecedented anatomical accuracy, set against the wide East Anglian sky. The work is held at Tate.

Technical Analysis

The horse and jockey are rendered with Stubbs's precise observation, the proportional relationship between rider and mount carefully calibrated.

See It In Person

Tate

London, United Kingdom

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Quick Facts

Medium
Oil paint
Dimensions
127 × 101.3 cm
Era
Rococo
Style
English Rococo
Genre
Animal
Location
Tate, London
View on museum website →

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The Third Duke of Dorset's Hunter with a Groom and a Dog

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Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances

George Stubbs·1769

White Poodle in a Punt by George Stubbs

White Poodle in a Punt

George Stubbs·c. 1780

Lions and lioness: rocky background by George Stubbs

Lions and lioness: rocky background

George Stubbs·1776

More from the Rococo Period

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Jacopo Bassano·c. 1710

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The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700