ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Passage over the Red Sea by Jacopo Bassano

Passage over the Red Sea

Jacopo Bassano·

Historical Context

The Passage over the Red Sea, an undated canvas at Audley End House in Essex, depicts one of the most dramatic episodes in Exodus — the miraculous parting of the sea that allowed the Israelites to escape Egypt while the pursuing army of Pharaoh was drowned. For Jacopo Bassano, who was consistently drawn to Exodus subjects with their combination of large crowd scenes, animals, dramatic events, and outdoor settings, the Red Sea crossing offered compositional challenges of the grandest kind. The vast crowd of Israelites, the towering walls of water, the panic of the Egyptian cavalry, and the figure of Moses extending his staff created a subject requiring orchestration of hundreds of figures across an expansive landscape. Audley End, one of England's finest Jacobean country houses, contains paintings collected over centuries by the owners of the estate, with Italian works acquired through the established channels of aristocratic collecting during the seventeenth through nineteenth centuries.

Technical Analysis

Oil on canvas, a Red Sea composition requires panoramic spatial management — the dense column of Israelites moving left to right, the vertical walls of water rising on either side, the drowned Egyptian army beginning to disappear on the far side. Bassano's crowd painting employs differentiated brushwork ranging from detailed foreground figures to increasingly summary middle and background elements. Dramatic sky treatment would amplify the supernatural character of the event.

Look Closer

  • ◆The walls of water — rising on both sides to allow safe passage — create vertical compositional anchors around the crowd
  • ◆The Egyptian cavalry visible in or entering the water suggest imminent destruction rather than completed drowning
  • ◆Moses with his extended staff is identifiable at the compositional climax of the parting
  • ◆The vast crowd of Israelites with their animals reflects Bassano's characteristic integration of pastoral detail into grand narrative

See It In Person

Audley End House

,

Visit museum website →

Quick Facts

Medium
canvas
Era
Mannerism
Genre
Genre
Location
Audley End House, undefined
View on museum website →

More by Jacopo Bassano

Diana and Actaeon by Jacopo Bassano

Diana and Actaeon

Jacopo Bassano·1585–92

Virgin and Child with the Young Saint John the Baptist by Jacopo Bassano

Virgin and Child with the Young Saint John the Baptist

Jacopo Bassano·1560–65

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Baptism of Christ by Jacopo Bassano

The Baptism of Christ

Jacopo Bassano·ca. 1590

More from the Mannerism Period

The Battle of Zama by Cornelis Cort

The Battle of Zama

Cornelis Cort·After 1567

Francesco de' Medici by Alessandro Allori

Francesco de' Medici

Alessandro Allori·c. 1560

Portrait of Don Juan of Austria by Alonso Sánchez Coello

Portrait of Don Juan of Austria

Alonso Sánchez Coello·1559–60

Portrait of a Seated Woman by Antonis Mor

Portrait of a Seated Woman

Antonis Mor·c. 1565