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Pentecost by Master of the Baroncelli Portraits

Pentecost

Master of the Baroncelli Portraits·1490

Historical Context

Pentecost by the Master of the Baroncelli Portraits depicts the descent of the Holy Spirit upon the disciples and Mary gathered in the upper room, tongues of fire appearing above each head — the founding moment of the Christian church. This subject, the culmination of the liturgical year between Easter and Pentecost Sunday, was a standard element of Passion and Resurrection altarpiece cycles. The anonymous master, identified with portraits connected to the Baroncelli family in Florence, worked in a style combining Florentine and Flemish elements. Pentecost's crowd of apostles offered the painter an opportunity to demonstrate range of expression and pose.

Technical Analysis

The gathered disciples are arranged in a semicircle or grouped symmetrically, the Virgin typically at center, with the dove of the Spirit above and tongues of flame descending on each figure. The master renders varied facial responses — wonder, awe, absorbed prayer — with Flemish attention to individual expression.

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Quick Facts

Medium
Oil on panel
Dimensions
104 × 119.5 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
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Portrait of Maria Bonciani (on the reverse: the annunciation: the angel Gabriel) by Master of the Baroncelli Portraits

Portrait of Maria Bonciani (on the reverse: the annunciation: the angel Gabriel)

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Portrait of Pierantonio Bandini Baroncelli (on the reverse: the annunciation: The Virgin) by Master of the Baroncelli Portraits

Portrait of Pierantonio Bandini Baroncelli (on the reverse: the annunciation: The Virgin)

Master of the Baroncelli Portraits·1487

Saint Catherine of Bologna with Three Donors by Master of the Baroncelli Portraits

Saint Catherine of Bologna with Three Donors

Master of the Baroncelli Portraits·1485

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