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Perseus and Andromeda by Paolo Veronese

Perseus and Andromeda

Paolo Veronese·c. 1558

Historical Context

Perseus and Andromeda at the Gardner Museum belongs to a series of small-scale mythological panels (c. 1576–78) that Veronese painted for private Venetian collectors. The Ovidian myth (Metamorphoses IV) tells of the Ethiopian princess chained to a rock as a sacrifice to Poseidon's sea monster, rescued by the hero Perseus who slays the beast and claims Andromeda as his wife. The subject combined martial heroism with erotic display — the chained nude woman as the prize of valor — making it ideal for private viewing in patrician studios. Veronese's horizontal format (31 × 72.5 cm) suggests these panels may have been designed as decorative friezes above furniture or as overdoor compositions. The Gardner Museum's acquisition of multiple works from this mythological series (also including Death of Procris, Judgment of Midas, Pygmalion, Birth and Death of Adonis) was part of Isabella Stewart Gardner's systematic campaign to gather comprehensive examples of Venetian Renaissance painting, guided partly by the scholarship of Bernard Berenson.

Technical Analysis

The dynamic composition captures the moment of rescue with dramatic movement. Veronese's luminous flesh tones and the contrast between the armored hero and the exposed Andromeda create visual drama with characteristic elegance.

Look Closer

  • ◆Notice how Veronese stages this scene of "Perseus and Andromeda" with the theatrical grandeur and luminous color that defined Venetian Renaissance painting.

See It In Person

Isabella Stewart Gardner Museum

Boston, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
31 × 72.5 cm
Era
Mannerism
Style
Mannerism
Genre
Mythology
Location
Isabella Stewart Gardner Museum, Boston
View on museum website →

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The Annunciation by Paolo Veronese

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Paolo Veronese·c. 1580

Ezekiel by Paolo Veronese

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