
Portrait de Charles-Paul-Jean-Baptiste de Bourgevin de Vialart de Saint-Morys, conseiller à la Grand-Chambre du Parlement de Paris
Jean-Baptiste Greuze·c. 1765
Historical Context
Jean-Baptiste Greuze's portrait of Charles-Paul-Jean-Baptiste de Bourgevin de Vialart de Saint-Morys, a Parlement counselor (c. 1765), belongs to a period when Greuze was attempting to establish himself as a serious portraitist alongside his celebrated moralizing genre scenes. Saint-Morys was a member of the Parisian legal establishment, a connoisseur, and collector. Greuze's portraits of the bourgeois intelligentsia have the same psychological directness as his domestic genre scenes, capturing the sitters' self-regard with a mixture of flattery and honesty that distinguished him from more purely ceremonial court portraitists.
Technical Analysis
The oil portrait on canvas shows Greuze's characteristic attention to the sitter's physiognomy — the face is rendered with sculptural precision using his tightly controlled impasto. Three-quarter pose against a neutral ground focuses attention on character. The legal robe indicates status without elaborate decorative display.
See It In Person
More by Jean-Baptiste Greuze

Head of a Young Woman
Jean-Baptiste Greuze·possibly 1780s

Princess Varvara Nikolaevna Gagarina (1762–1802)
Jean-Baptiste Greuze·ca. 1780–82
_MET_DP-13040-001.jpg&width=600)
Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817)
Jean-Baptiste Greuze·late 1780s
Ange Laurent de La Live de Jully
Jean-Baptiste Greuze·probably 1759



