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Portrait of a Lady seated by a Fountain by Nicolaes Maes

Portrait of a Lady seated by a Fountain

Nicolaes Maes·1680

Historical Context

Portrait of a Lady Seated by a Fountain from 1680 by Nicolaes Maes places the female sitter in an outdoor setting with a fountain, a fashionable portrait convention of the later seventeenth century. The fountain and garden setting suggested wealth, leisure, and refined taste—the cultivated garden as a setting for portraiture reflecting the influence of French and Flemish grand-manner conventions on Dutch portrait practice. Maes trained with Rembrandt in Amsterdam in the early 1650s before establishing himself as an independent master. His mature portrait style absorbed Flemish elegance—producing fashionable likenesses with looser brushwork and warmer flesh tones. The outdoor setting provides an elegant backdrop, with the fountain adding architectural interest to Maes's carefully characterized portrait.

Technical Analysis

The outdoor setting provides an elegant backdrop, with the fountain adding architectural interest to Maes's carefully characterized portrait.

See It In Person

private collection

London Borough of Richmond upon Thames,

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
54 × 45.7 cm
Era
Baroque
Style
Dutch Golden Age
Genre
Portrait
Location
private collection, London Borough of Richmond upon Thames
View on museum website →

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The Lacemaker by Nicolaes Maes

The Lacemaker

Nicolaes Maes·ca. 1656

Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes by Nicolaes Maes

Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes

Nicolaes Maes·1676

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