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Portrait of a woman in yellow
Andrea del Sarto·1529
Historical Context
This 1529 portrait of a woman in yellow is one of Andrea del Sarto's finest late portraits, combining naturalistic observation with atmospheric color. Andrea's portraits, though less numerous than his religious works, were celebrated by Vasari for their lifelike quality and subtle psychological characterization. Del Sarto's portraits are among the most accomplished productions of the Florentine High Renaissance, combining his characteristic warmth of color and atmospheric modeling with the psychological directness that made him as acute an observer of individual character as any of his contemporaries. Working in Florence throughout his career except for a brief period in France at the invitation of Francis I, he developed a portrait manner that absorbed the lessons of Leonardo and Raphael while achieving something distinctly his own: a warmth and human immediacy that his more cerebral contemporaries sometimes lacked.
Technical Analysis
The warm yellow of the dress creates a striking chromatic effect against the muted background, demonstrating Andrea's exceptional command of color and his ability to capture both likeness and mood.
Look Closer
- ◆The yellow dress is painted with such warmth that it almost emanates light.
- ◆The sitter's three-quarter gaze has the psychological directness del Sarto brought to his best.
- ◆The slightly loosened brushwork of del Sarto's final years is visible in the background.
- ◆The yellow of the dress against dark background creates a resonance giving the portrait intensity.
See It In Person
More by Andrea del Sarto
More from the High Renaissance Period

Virgin and Child with the Young Saint John the Baptist
Antonio da Correggio·c. 1515

Virgin and Child with Saint Anne, Saint Gereon, and a Donor
Bartholomaeus Bruyn the Elder·1520

Scenes from the Life of Saint John the Baptist
Bartolomeo di Giovanni·1490/95

The Martyrdom of Saint John the Baptist
Bernard van Orley·ca. 1514–15

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