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Portrait of a Young Lady by Nicolaes Maes

Portrait of a Young Lady

Nicolaes Maes·1678

Historical Context

Portrait of a Young Lady from 1678 by Nicolaes Maes at the Museum Mayer van den Bergh in Antwerp demonstrates his ability to capture youthful beauty within the conventions of formal Dutch portraiture. The Museum Mayer van den Bergh in Antwerp houses this example of Maes's refined late portrait style, reflecting the cross-border reputation that made him sought after by collectors in the Southern Netherlands as well as Amsterdam. Maes trained with Rembrandt in Amsterdam in the early 1650s before establishing himself as an independent master. His mature portrait style absorbed Flemish elegance—producing fashionable likenesses with looser brushwork and warmer flesh tones that satisfied the demand of Amsterdam's prosperous elite. The youthful sitter is rendered with smooth, luminous flesh tones and careful attention to the fashionable costume, creating an image of elegant feminine beauty.

Technical Analysis

The youthful sitter is rendered with smooth, luminous flesh tones and careful attention to the fashionable costume. Maes's polished late technique creates an image of elegant feminine beauty.

See It In Person

Museum Mayer van den Bergh

Antwerp, Belgium

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
44.1 × 33.8 cm
Era
Baroque
Style
Dutch Golden Age
Genre
Portrait
Location
Museum Mayer van den Bergh, Antwerp
View on museum website →

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The Lacemaker by Nicolaes Maes

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Nicolaes Maes·ca. 1656

Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes by Nicolaes Maes

Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes

Nicolaes Maes·1676

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