
Portrait of Abbondio Rezzonico
Pompeo Batoni·1766
Historical Context
Abbondio Rezzonico (1741–1810) was a Roman senator and nephew of Pope Clement XIII (also named Carlo della Torre Rezzonico). Batoni's 1766 portrait at the Bassano Civic Museum captures the young Rezzonico at twenty-five, just as his uncle the pope was navigating the crisis of Jesuit suppression. A portrait by Batoni was the natural choice for a member of the pontifical family — Batoni had already painted Clement XIII himself and would continue to be the pope's family's preferred portraitist. Abbondio Rezzonico is also remembered as a patron of the arts in Rome who supported archaeological projects and whose collection contributed to Roman cultural life. The Bassano Civic Museum's possession of this portrait in the Veneto reflects the Rezzonico family's Venetian origins.
Technical Analysis
Oil on canvas with the full refinement of Batoni's mid-career portrait practice. A papal nephew would merit a substantial commission — likely three-quarter or full-length — with attention to Roman aristocratic dress and the accessories of cultured nobility. The face would be given the precise individual characterization that distinguished Batoni's portraits from those of his rivals.
Look Closer
- ◆Roman senatorial or papal court dress distinguishes this portrait from the British Grand Tourist commissions
- ◆The Rezzonico family connection to Pope Clement XIII gives this portrait significance beyond personal documentation
- ◆Batoni's handling of Roman aristocratic male dress has a different quality from his treatment of English fashions
- ◆Look for any attributes connecting Abbondio to his role as senator or patron — a document, an antique object







