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Portrait of an infant by Lucas Cranach the Elder

Portrait of an infant

Lucas Cranach the Elder·1526

Historical Context

Cranach's Portrait of an Infant (1526) at the Staatliche Kunstsammlungen Dresden is a rare example of child portraiture from the early sixteenth century — a moment when formal portraiture of children below adolescence was relatively uncommon in Northern European painting. The identity of the infant is not securely established, but the portrait's quality and the Dresden collection's context suggest a child of the Saxon Electoral family or high nobility. Infant portraits served dynastic functions similar to adult ones — documenting the family's continuity, celebrating a birth, creating a record of a child who might not survive to adulthood — but required different compositional and technical solutions from adult portraiture. Cranach renders the infant with the same sharp physiognomic attention he gave adult sitters, though the soft, rounded features of infancy required different modeling from the more defined adult face. The Staatliche Kunstsammlungen Dresden, which holds one of the world's great art collections assembled by the Saxon Electors, preserves this alongside many Cranach works in the museum that was always closest to his Wittenberg workshop.

Technical Analysis

Oil on canvas, the portrait demonstrates Lucas Cranach the Elder's command of precise linear draftsmanship and vivid coloring. The careful modeling of the face reveals close study of the sitter's physiognomy, while the treatment of costume and setting projects appropriate social standing.

Look Closer

  • ◆Notice the infant's rounded face and soft modeling: Cranach adjusts his normally sharp portrait technique to accommodate the softer features of early childhood.
  • ◆Look at the formal costume: even this very young child is depicted in full court dress, demonstrating that dynastic identity was established at birth in the Saxon court.
  • ◆Observe the direct gaze: unusually for a portrait of someone so young, the infant meets the viewer's eyes with the self-possessed expression typical of Cranach's adult sitters.
  • ◆The identity of this sitter remains unknown — one of the period's anonymous children whose face was preserved by Cranach's workshop.

See It In Person

Staatliche Kunstsammlungen Dresden

Dresden, Germany

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
39 × 25.5 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Portrait
Location
Staatliche Kunstsammlungen Dresden, Dresden
View on museum website →

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Judith with the Head of Holofernes by Lucas Cranach the Elder

Judith with the Head of Holofernes

Lucas Cranach the Elder·ca. 1530

Eve by Lucas Cranach the Elder

Eve

Lucas Cranach the Elder·1533–37

The Crucifixion by Lucas Cranach the Elder

The Crucifixion

Lucas Cranach the Elder·1538

Adam by Lucas Cranach the Elder

Adam

Lucas Cranach the Elder·1533–37

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Domenico da Gambassi by Andrea del Sarto

Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515

Virgin and Child with Saint Anne, Saint Gereon, and a Donor by Bartholomaeus Bruyn the Elder

Virgin and Child with Saint Anne, Saint Gereon, and a Donor

Bartholomaeus Bruyn the Elder·1520

Scenes from the Life of Saint John the Baptist by Bartolomeo di Giovanni

Scenes from the Life of Saint John the Baptist

Bartolomeo di Giovanni·1490/95