ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Portrait of Cardinal Alessandro Farnese by Perino del Vaga

Portrait of Cardinal Alessandro Farnese

Perino del Vaga·1546

Historical Context

Perino del Vaga's Portrait of Cardinal Alessandro Farnese, painted in 1546 on panel and now in the Galleria Nazionale d'Arte Antica in Rome, depicts one of the most powerful ecclesiastical figures of the mid-sixteenth century. Alessandro Farnese (1520–1589), grandson of Pope Paul III, held numerous benefices and was a major collector and patron of the arts — his patronage of Titian, Michelangelo, and other leading artists made him central to mid-century Roman cultural life. Perino had connections to the Farnese circle through his work at Castel Sant'Angelo, undertaken under Paul III's patronage, and a portrait commission from the young cardinal represents the continuation of this relationship. The 1546 date places this two years before Paul III's death, in the high period of Farnese papal power, and the formal portrait would have projected Alessandro's combined spiritual and dynastic authority.

Technical Analysis

The panel support and oil medium enable the careful rendering of the cardinal's red robes — a material challenge requiring the differentiation of silk, velvet, and linen within a predominantly red tonal field. Perino's portrait technique gives the face the careful modelling of observed likeness while the cardinal's costume receives the distinguished treatment expected of so great a patron.

Look Closer

  • ◆The cardinal's red robes create an overwhelming chromatic presence that asserts his ecclesiastical rank
  • ◆Alessandro Farnese's young face is rendered with the careful observed quality expected of a portrait by a major painter
  • ◆The panel format and careful surface finish signal the high importance of this patronage relationship
  • ◆Look for the cardinal's hat or ring as identifying symbols of his rank within the church hierarchy

See It In Person

Galleria Nazionale d'Arte Antica

,

Visit museum website →

Quick Facts

Medium
panel
Era
Mannerism
Genre
Portrait
Location
Galleria Nazionale d'Arte Antica, undefined
View on museum website →

More by Perino del Vaga

The Nativity by Perino del Vaga

The Nativity

Perino del Vaga·1534

Psyche and Cupid by Perino del Vaga

Psyche and Cupid

Perino del Vaga·1501

Justice of Zaleuco by Perino del Vaga

Justice of Zaleuco

Perino del Vaga·1521

Tarquinius Priscus founds the Temple of Jupiter on the Campidoglio by Perino del Vaga

Tarquinius Priscus founds the Temple of Jupiter on the Campidoglio

Perino del Vaga·1521

More from the Mannerism Period

The Battle of Zama by Cornelis Cort

The Battle of Zama

Cornelis Cort·After 1567

Francesco de' Medici by Alessandro Allori

Francesco de' Medici

Alessandro Allori·c. 1560

Portrait of Don Juan of Austria by Alonso Sánchez Coello

Portrait of Don Juan of Austria

Alonso Sánchez Coello·1559–60

Portrait of a Seated Woman by Antonis Mor

Portrait of a Seated Woman

Antonis Mor·c. 1565