ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 50,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Portrait of Catherine von Lowe by Maarten van Heemskerck

Portrait of Catherine von Lowe

Maarten van Heemskerck·

Historical Context

The portrait of Catherine von Lowe, held in The Box museum in Portsmouth, belongs to Van Heemskerck's significant body of female portraiture in the Haarlem tradition. The subject's German-sounding surname suggests either a woman of German extraction in the Haarlem community or a possible commission that extended beyond the immediate Haarlem civic circle. Van Heemskerck's female portraits characteristically combine the sober, dark costume of respectable Northern womanhood with the Italianate modelling his Roman experience brought to his figure work, creating portraits that are simultaneously conventional in their social presentation and distinguished in their pictorial authority. The lack of a dated inscription makes this work difficult to place precisely within Van Heemskerck's chronology, but the technique suggests a mature work from his post-Roman period.

Technical Analysis

The panel portrait follows Van Heemskerck's standard format for female sitters: three-quarter turn, dark dress with white linen collar and cap, neutral background. The face receives careful chiaroscuro modelling that gives the features three-dimensional weight beyond the conventional formulas of sixteenth-century Northern female portraiture. The hands, if visible, provide a secondary focus of character and social signalling.

Look Closer

  • ◆The sitter's gaze — its directness or modesty communicating her intended social image
  • ◆The white linen collar's carefully rendered pleating, a technically demanding element of Northern portrait painting
  • ◆The face's individuating features distinguishing this specific woman from the general social type of 'respectable wife'
  • ◆The costume's dark fabric rendering demonstrating Van Heemskerck's control of tonal variation within a limited palette

See It In Person

The Box

,

Visit museum website →

Quick Facts

Medium
panel
Dimensions
Unknown
Era
Mannerism
Genre
Portrait
Location
The Box, undefined
View on museum website →

More by Maarten van Heemskerck

Portrait of Machtelt Suijs by Maarten van Heemskerck

Portrait of Machtelt Suijs

Maarten van Heemskerck·c. 1540–45

The Rest on the Flight into Egypt by Maarten van Heemskerck

The Rest on the Flight into Egypt

Maarten van Heemskerck·c. 1530

St. Luke painting the Virgin by Maarten van Heemskerck

St. Luke painting the Virgin

Maarten van Heemskerck·1532

Crucifixion by Maarten van Heemskerck

Crucifixion

Maarten van Heemskerck·1543

More from the Mannerism Period

The Battle of Zama by Cornelis Cort

The Battle of Zama

Cornelis Cort·After 1567

Francesco de' Medici by Alessandro Allori

Francesco de' Medici

Alessandro Allori·c. 1560

Portrait of Don Juan of Austria by Alonso Sánchez Coello

Portrait of Don Juan of Austria

Alonso Sánchez Coello·1559–60

Portrait of a Seated Woman by Antonis Mor

Portrait of a Seated Woman

Antonis Mor·c. 1565