ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 50,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Portrait of Cornelis Ascanius van Sypesteyn (1638-1673) by Nicolaes Maes

Portrait of Cornelis Ascanius van Sypesteyn (1638-1673)

Nicolaes Maes·1675

Historical Context

Cornelis Ascanius van Sypesteyn (1638–1673) was a Dutch nobleman and military officer whose short life ended when he was thirty-five. This 1675 portrait, painted posthumously or very close to the end of his life, now hangs in Kasteel-Museum Sypesteyn, the family's ancestral seat — making it one of the relatively rare examples of a Maes portrait that has remained in the family home for which it was made. By the mid-1670s Maes was at the peak of his fashionable Amsterdam portraiture practice, and his combination of Dutch naturalistic tradition with international elegance suited clients who wanted to project both Dutch civic virtue and European refinement. The castle setting of this portrait's present location gives it an unusual contextual completeness: the viewer can see the sitter still occupying his own domain.

Technical Analysis

Maes's mid-1670s portrait style employs a confident, broad brushwork for costume and hair, reserving finer detail for the face. Armour or formal dress elements are indicated with assured tonal contrasts rather than painstaking surface description. The composition is likely a three-quarter length, the standard for male sitters of military or civic standing.

Look Closer

  • ◆The face is painted with the most layered, careful technique in the composition — Maes always concentrated his finest work on the likeness
  • ◆Any armour or military insignia signals both professional role and the aristocratic virtù expected of a Van Sypesteyn heir
  • ◆The background is kept neutral but subtly warm, preventing the figure from reading as flat against a cold ground
  • ◆Hands, if visible, are individualised — Maes regarded hands as secondary portraits in themselves

See It In Person

Kasteel-Museum Sypesteyn

,

Visit museum website →

Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Baroque
Genre
Portrait
Location
Kasteel-Museum Sypesteyn, undefined
View on museum website →

More by Nicolaes Maes

Portrait of a Man by Nicolaes Maes

Portrait of a Man

Nicolaes Maes·1655

Portrait of a Woman by Nicolaes Maes

Portrait of a Woman

Nicolaes Maes·c. 1655

The Lacemaker by Nicolaes Maes

The Lacemaker

Nicolaes Maes·ca. 1656

Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes by Nicolaes Maes

Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes

Nicolaes Maes·1676

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612

The Flight into Egypt by Abraham Jansz. van Diepenbeeck

The Flight into Egypt

Abraham Jansz. van Diepenbeeck·c. 1650