Portrait of een vrouw, mogelijk Anna Trajectina van Brederode (1625/26-1672), echgenote van George Hermann Reinhard, Graaf von Wied

Gerard van Honthorst's 1653 portrait, identified as possibly Anna Trajectina van Brederode (1625/26–1672), places the aging master in the tradition of Dutch aristocratic portraiture that had been central to his later career after his early success with Caravaggesque nocturnes in Rome and Utrecht. By 1653 Van Honthorst was sixty-six years old and had served for decades as court portraitist to the House of Orange and various European royal courts. Anna van Brederode married into the German house of Wied, and a portrait by Van Honthorst would have documented her status as a Dutch noble making a cross-border dynastic connection. The Instituut Collectie Nederland holds this work as part of the national collection of Dutch heritage paintings. The tentative identification acknowledges the difficulty of confirming identities in Dutch seventeenth-century portraits lacking contemporary documentation.

Van Honthorst's late portrait style is direct, technically accomplished, and fully within the conventions of Dutch aristocratic portraiture: the three-quarter face against a plain dark ground, the sitter's fine dress rendered with careful attention to fabric and lace, the expression formal but not entirely inanimate. His early Caravaggesque drama has entirely given way to the steady Northern naturalism appropriate to his court role.