
Portrait of Elizabeth Grigorievna Temkin in Diana's image
Historical Context
Elizabeth Grigorievna Temkin was the rumoured illegitimate daughter of Catherine the Great and Grigory Potemkin, and her identity — never officially acknowledged but widely known in court circles — gives this 1798 portrait a particular historical charge. Borovikovsky depicted her in the guise of Diana, Roman goddess of the hunt — a choice that alludes to Catherine the Great's own identification with the goddess and perhaps gestures to Temkin's ambiguous status: powerful enough to be associated with imperial symbolism, but officially invisible in the dynastic record. Executed on zinc rather than canvas — an unusual support — the portrait is preserved in the Tretyakov Gallery as a rare example of this technique in Russian painting.
Technical Analysis
The zinc support is an unusual choice that provides an exceptionally hard, non-absorbent painting surface. This allows for very precise detail and sharp tonal transitions. The smooth zinc ground contributes to the enamel-like finish characteristic of this portrait, appropriate to the allegorical and slightly otherworldly character of the Diana conceit.
Look Closer
- ◆The zinc support gives the surface an enamel-like smoothness impossible on canvas, contributing to the portrait's otherworldly quality
- ◆The Diana guise alludes to Catherine the Great's own identification with the goddess, linking Temkin subtly to imperial symbolism
- ◆The hunting attributes — crescent moon, bow — are handled with delicate precision on the unyielding metal surface
- ◆The sitter's ambiguous, slightly pensive expression reflects her equally ambiguous social position

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