ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Portrait of Giuliana Pubblicola Santacroce as Lucretia. by Angelica Kauffmann

Portrait of Giuliana Pubblicola Santacroce as Lucretia.

Angelica Kauffmann·1791

Historical Context

Portrait of Giuliana Pubblicola Santacroce as Lucretia from 1791, now in Łazienki Palace in Warsaw, depicts a Roman noblewoman in the guise of the legendary Roman heroine whose rape and suicide triggered the overthrow of the Tarquin monarchy and the founding of the Roman Republic. Such allegorical portrait-as-history-painting was popular among the Roman aristocracy, who valued the connection to classical Roman nobility that such identifications implied. Giuliana Pubblicola Santacroce was a member of one of Rome's oldest noble families, and the Lucretia identification asserted a connection to the legendary Roman matron that the family's name — taken from the ancient Roman gens Publilia — encouraged. Kauffmann's many years in Rome gave her deep familiarity with the Roman aristocracy whose members formed her primary Italian clientele alongside the international visitors who came to her studio. The Łazienki Palace in Warsaw, the summer residence of King Stanisław August Poniatowski of Poland, holds this portrait as part of a collection assembled during the last decades of Polish independence, reflecting the cosmopolitan cultural connections between Rome and the Polish court.

Technical Analysis

The allegorical portrait combines likeness with classical role-playing, using Kauffmann's refined Neoclassical style to present the contemporary sitter as an ancient heroine.

Look Closer

  • ◆Giuliana holds the attribute of Lucretia—a knife—identifying her allegorical guise while.
  • ◆Kauffmann balances likeness and allegory—the face specific enough to identify the sitter.
  • ◆The pose of the historical Lucretia is transferred onto the living sitter with the theatrical.
  • ◆The Lazienki provenance connects this work to the late 18th-century European aristocratic taste.

See It In Person

Łazienki Palace

Śródmieście,

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
95.5 × 79.2 cm
Era
Neoclassicism
Style
German Neoclassicism
Genre
Portrait
Location
Łazienki Palace, Śródmieście
View on museum website →

More by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter

Angelica Kauffmann·c. 1771

The Sorrow of Telemachus by Angelica Kauffmann

The Sorrow of Telemachus

Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso by Angelica Kauffmann

Telemachus and the Nymphs of Calypso

Angelica Kauffmann·1782

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851) by Angelica Kauffmann

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

Angelica Kauffmann·ca. 1776

More from the Neoclassicism Period

Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770