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Portrait of Margaretha Godin (d. 1694), wife of the artist
Caspar Netscher·1700
Historical Context
Painted around 1700 and held by the Rijksmuseum, this portrait by Caspar Netscher depicts Margaretha Godin, his wife — one of the rare self-directed portrait commissions in his oeuvre. Netscher married Margaretha Godin in The Hague and she appears to have been the subject of several portraits from his hand. A painter's wife portrait occupies a distinctive place in the genre: it combines the personal intimacy of a domestic image with the professional display of technical mastery appropriate to an artist who used his family as living advertisement for his skills. The portrait's date at the very end of the seventeenth century places it among the last works of Netscher's career, when his style had attained its maximum refinement and his reputation in The Hague was at its peak. The Rijksmuseum holds it as part of a comprehensive representation of Netscher's portraiture.
Technical Analysis
Canvas, oil, with the polished surface and meticulous detail of Netscher's mature style. The sitter is shown in the fashionable late seventeenth-century French-influenced dress that characterises his Hague portraits. Flesh tones are built with characteristic warmth and translucency. The treatment of silk demonstrates the controlled glazing technique that made his female portraits so admired.
Look Closer
- ◆The artist's intimate knowledge of his sitter gives the portrait a psychological presence absent from his more formal commissions.
- ◆Her silk mantua, in the late seventeenth-century French fashion, is rendered with Netscher's characteristic attention to the movement of fabric.
- ◆Warm flesh tones built from layered glazes create the luminous skin quality that was his trademark and his reputation.
- ◆A discreet jewel at the neckline catches the light, providing a small accent of sparkle among the richer textures of the dress.







