
Portrait of Martha Dunina
Historical Context
Martha Dunina was a figure within the circle of Russian society that Borovikovsky served as portraitist through the 1790s and early 1800s. The 1799 portrait, held in the Tretyakov Gallery, exemplifies his approach to non-imperial female subjects — the same outdoor Sentimentalist setting, the same soft, warm colouring, the same combination of personal warmth and social propriety. By the end of the eighteenth century Borovikovsky had developed a consistent formula for female portraiture that balanced the demands of likeness and flattery with the fashionable language of Sentimentalist sensibility. The Tretyakov holds the painting as an example of his prolific production of portraits for the upper middle ranks of Russian society.
Technical Analysis
The canvas shows confident, accomplished handling throughout, with the face receiving careful attention and the dress and setting rendered with decorative elegance. Borovikovsky's characteristic soft, warm light creates a pleasing complexion and harmonious tonal balance. The paint surface is smooth and controlled, consistent with his late eighteenth-century academic training.
Look Closer
- ◆The soft, warm complexion is characteristic of Borovikovsky's idealising treatment of female subjects
- ◆The outdoor setting — trees, sky, gentle landscape — is a Sentimentalist convention signalling the subject's natural virtue
- ◆The dress is painted with decorative attention to lace, ribbon, and fabric sheen
- ◆The sitter's modest, pleasant expression reflects the emotional register — gentle, approachable — that Borovikovsky consistently cultivated

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