ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 50,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Portrait of the Engraver Pasqual Pere Moles, first director of the Escola de Llotja by Vicente López Portaña

Portrait of the Engraver Pasqual Pere Moles, first director of the Escola de Llotja

Vicente López Portaña·1794

Historical Context

Pasqual Pere Moles (1741–1797) was the first director of the Escola de la Llotja in Barcelona — the art school attached to the Barcelona exchange that trained generations of Catalan artists, including the young Fortuny decades later. López Portaña's 1794 portrait of Moles, now at the Museu Nacional d'Art de Catalunya, commemorates an institution-builder as much as an individual — Moles founded the school in 1775 and spent his career establishing the educational and professional infrastructure for Catalan art. As an engraver, Moles represented the technical dimension of academic art training that eighteenth-century academies saw as foundational. López Portaña, who benefited from similar institutional support in Valencia, may have had personal sympathy for this portrait of a fellow craftsman who had built educational structures for the next generation.

Technical Analysis

The portrait of a graphic artist required compositional acknowledgment of the sitter's professional practice — engraving tools, prints, or a copper plate appearing as identifying attributes alongside the formal portrait conventions. López Portaña renders the engraver's world with the same material care he brings to fabrics and medals in his other portraits, making the tools of the trade as vivid as the sitter himself.

Look Closer

  • ◆Engraving tools or printed works appear as professional attributes communicating the sitter's craft
  • ◆Hands given particular attention — for an engraver, the hands are the primary creative instruments
  • ◆Academic or institutional setting implied through the compositional background
  • ◆Expression combines the intellectual seriousness of an institution-builder with the practical focus of a craftsman

See It In Person

Museu Nacional d'Art de Catalunya

,

Visit museum website →

Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Neoclassicism
Genre
Portrait
Location
Museu Nacional d'Art de Catalunya, undefined
View on museum website →

More by Vicente López Portaña

El obispo Pedro González Vallejo by Vicente López Portaña

El obispo Pedro González Vallejo

Vicente López Portaña·1820

Retrato del rey de las Dos Sicilias by Vicente López Portaña

Retrato del rey de las Dos Sicilias

Vicente López Portaña·1829

Joseph’s Dream by Vicente López Portaña

Joseph’s Dream

Vicente López Portaña·1805

Sketch for Allegory of the Institution of the Order of Charles III by Vicente López Portaña

Sketch for Allegory of the Institution of the Order of Charles III

Vicente López Portaña·1827

More from the Neoclassicism Period

Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770