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Portrait of Wijnand Everwijn (1648-1700) by Nicolaes Maes

Portrait of Wijnand Everwijn (1648-1700)

Nicolaes Maes·1675

Historical Context

Portrait of Wijnand Everwijn from 1675 by Nicolaes Maes at the Geldersch Landschap en Kasteelen depicts an identified member of the Dutch elite. Such documented portraits help establish the chronology of Maes's portrait production and document the social range of his clientele across the prosperous classes of the Dutch Republic. Maes trained with Rembrandt in Amsterdam in the early 1650s before establishing himself as an independent master. His mature portrait style absorbed Flemish elegance—producing fashionable likenesses with looser brushwork and warmer flesh tones. The identified portrait demonstrates Maes's characteristic technique of precise facial modeling combined with confident costume painting, creating a likeness that is both individually recognizable and socially appropriate.

Technical Analysis

The identified portrait demonstrates Maes's characteristic technique of precise facial modeling combined with confident costume painting.

See It In Person

Geldersch Landschap en Kasteelen

Arnhem,

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Quick Facts

Medium
Oil paint
Dimensions
43.5 × 32.5 cm
Era
Baroque
Style
Dutch Golden Age
Genre
Portrait
Location
Geldersch Landschap en Kasteelen, Arnhem
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The Lacemaker by Nicolaes Maes

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Nicolaes Maes·ca. 1656

Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes by Nicolaes Maes

Ingena Rotterdam (died 1704), Betrothed of Admiral Jacob Binkes

Nicolaes Maes·1676

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