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Prince Mikhail Vorontsov, sometimes spelled Michael Woronzow by Thomas Lawrence

Prince Mikhail Vorontsov, sometimes spelled Michael Woronzow

Thomas Lawrence·1821

Historical Context

Prince Mikhail Vorontsov, painted by Lawrence around 1821 and now in the Hermitage Museum, was a central figure in the post-Napoleonic Russian Empire — a military commander who had distinguished himself at Borodino, an administrator who would govern New Russia and Bessarabia, and a man of European education whose Cambridge years had given him an Anglophile cultural orientation unusual among Russian grandees. Vorontsov's later career as Governor-General of New Russia and Viceroy of the Caucasus would be overshadowed for literary purposes by his conflict with Pushkin — who served under him briefly in Odessa, was dismissed at Vorontsov's request, and subsequently satirized him mercilessly in verse — but the portrait documents the young general before either his administrative achievements or his literary notoriety had defined his historical image. Lawrence met Vorontsov during the Russian's London visit, and the portrait's fluency reflects a sitting between two men of sophisticated cultural formation. The Hermitage's holding of this Lawrence portrait documents the European dimension of Russian cultural life in the period immediately following Napoleon's defeat.

Technical Analysis

Lawrence renders the Russian military uniform with characteristic fluency, the gold braiding and decorations gleaming against the dark fabric. The portrait conveys Vorontsov's aristocratic bearing through an elegant, assured composition.

Look Closer

  • ◆Notice the Russian military uniform: Lawrence renders the gold braiding and decorations of Vorontsov's dress with the same sparkling precision he brought to Western European military regalia.
  • ◆Look at the aristocratic bearing of a man equally at home in English society and Russian imperial service.
  • ◆Observe the Hermitage location: this portrait of a Russian who was educated at Cambridge and painted in London now lives in St. Petersburg.
  • ◆Find the elegant, assured composition: Lawrence's approach to Russian and Western European aristocrats is virtually identical — rank is rank.

See It In Person

Hermitage Museum

Saint Petersburg, Russia

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
127 × 102 cm
Era
Romanticism
Style
British Romanticism
Genre
Portrait
Location
Hermitage Museum, Saint Petersburg
View on museum website →

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Anna Maria Dashwood, later Marchioness of Ely by Thomas Lawrence

Anna Maria Dashwood, later Marchioness of Ely

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Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby by Thomas Lawrence

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby

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The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894) by Thomas Lawrence

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894)

Thomas Lawrence·1823

Portrait of the Honorable George Canning, M.P. by Thomas Lawrence

Portrait of the Honorable George Canning, M.P.

Thomas Lawrence·c. 1822

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