
Procession of Gondolas in the Bacino di San Marco, Venice
Antonio Joli·1742
Historical Context
The companion piece to Joli's Ducal Palace courtyard view, this canvas shifts perspective to the Bacino di San Marco, the great waterway at Venice's ceremonial heart. From this vantage point the viewer watches the procession of gondolas arrayed in formal order before the backdrop of Santa Maria della Salute and the Dogana. Joli's expertise in theatrical scene design gave him an instinctive grasp of how to choreograph complex scenes across the picture surface: the gondolas are arranged in echelons that lead the eye toward the distant church, while reflections on the choppy water introduce a silvery shimmer. Together with its courtyard pendant, this work documents a specific Venetian state ceremony with the same documentary ambition as Canaletto's regatta paintings, though Joli's handling is warmer and more loosely painted. Both works are now in the National Gallery of Art, Washington.
Technical Analysis
Joli renders the Bacino's water with short, horizontal strokes that suggest chop without over-elaboration. The distant architecture is softened atmospherically, while the foreground gondolas are described with more precise, darker contours that anchor the composition.
Look Closer
- ◆The gondolas are dressed with flags and canopies identifying the ceremony's official character — not mere daily traffic
- ◆Santa Maria della Salute's great dome rises in the background, rendered in delicate atmospheric grey-blue
- ◆Water reflections of the gondolas and sky are suggested by loosely applied horizontal strokes of varying tone
- ◆Compare the scale of figures here with those in the courtyard pendant — both compositions use small figures to emphasise architectural grandeur
See It In Person
More by Antonio Joli

Capriccio with St. Paul's and Old London Bridge
Antonio Joli·ca. 1745

Procession in the Courtyard of the Ducal Palace, Venice
Antonio Joli·1742 or after

Procession of Gondolas in the Bacino di San Marco, Venice
Antonio Joli·1742 or after

Rome: View of the Colosseum and The Arch of Constantine
Antonio Joli·1744



