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Puss in Boots
John Everett Millais·1877
Historical Context
Puss in Boots of 1877, at Dundee Art Galleries and Museums, takes its title from the famous fairy tale first published by Charles Perrault in 1697, in which a clever cat secures a fortune for its master through a series of cunning ruses. The subject was widely popular in Victorian illustrated books and pantomime, and Millais's choice of the title for a painting of a child almost certainly reflects the mid-Victorian fashion for such fairy-tale allusions in works depicting appealing young sitters. Millais painted numerous portraits and fancy pictures of children that drew on literary and folk-tale titles to give an imaginative dimension to what might otherwise be straightforward depictions. Dundee's collection of Victorian art reflects the city's prosperity during the jute and textile industries' peak, and works like this were acquired as evidence of civic cultural engagement.
Technical Analysis
Oil on canvas, the painting uses Millais's characteristic warm palette and fluid technique for depicting children. The child's expression is lively and natural, achieved through careful observation rather than posed formality. The background is simplified to focus attention on the figure's face and costume.
Look Closer
- ◆The child's expression carries a mischievous or knowing quality that echoes the cleverness associated with the fairy-tale title.
- ◆The costume may incorporate elements that echo the story — boots, a hat, or other details referencing the famous cat.
- ◆Millais's handling of the child's hair is fluent and warm, a consistent strength in his paintings of young sitters.
- ◆The relatively simple background is typical of his mature portrait practice, eliminating narrative clutter to focus on character.
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