ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 50,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Q29955789 by Agostino Carracci

Q29955789

Agostino Carracci·1589

Historical Context

This Bavarian State Painting Collections work from 1589 is catalogued by its Wikidata Q-number without an established standard title. An Agostino Carracci canvas from 1589 in Munich places it in his pre-Roman period, shortly before the move to Rome that would define his mature career. The Bavarian State Painting Collections—the Alte Pinakothek and its sister museums—hold outstanding Italian Baroque holdings assembled by the Wittelsbach dynasty, great patrons of Italian art throughout the seventeenth and eighteenth centuries. A work of 1589 would show Agostino at the height of his Bolognese phase, fully engaged with the Accademia degli Incamminati's reforming programme while not yet absorbed into the demands of Roman monumental decoration. Whatever the subject, this canvas offers insight into Carracci's mature Bolognese style just before the Roman departure that changed the direction of Italian painting.

Technical Analysis

Bolognese painting of 1589 would use a warm tonal ground typical of the Emilian tradition, cooler than Venetian practice but warmer than Florentine. Agostino's technique at this date shows the full integration of drawing-based discipline and painterly fluency that the Accademia advocated. Figure handling is confident, tonal transitions smooth, compositional geometry clear.

Look Closer

  • ◆The confident figure drawing that reflects Agostino's parallel career as one of the century's greatest engravers
  • ◆Bolognese warm tonal ground visible in shadow areas, giving depth without Caravaggist extremity
  • ◆Any surviving preparatory pentimento—changes of mind visible through the paint surface—revealing compositional planning
  • ◆The handling of secondary details—still-life elements, landscape, or architectural background—as signs of workshop priority

See It In Person

Bavarian State Painting Collections

,

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Baroque
Location
Bavarian State Painting Collections, undefined
View on museum website →

More by Agostino Carracci

Madonna and Child with Saints by Agostino Carracci

Madonna and Child with Saints

Agostino Carracci·1586

The Last Communion of St Jerome by Agostino Carracci

The Last Communion of St Jerome

Agostino Carracci·1592

Hairy Harry, Mad Peter and Tiny Amon by Agostino Carracci by Agostino Carracci

Hairy Harry, Mad Peter and Tiny Amon by Agostino Carracci

Agostino Carracci·1598

Portrait of a Woman as Judith by Agostino Carracci

Portrait of a Woman as Judith

Agostino Carracci·1550

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612

The Flight into Egypt by Abraham Jansz. van Diepenbeeck

The Flight into Egypt

Abraham Jansz. van Diepenbeeck·c. 1650