ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Rembrandt Laughing by Rembrandt

Rembrandt Laughing

Rembrandt·1628

Historical Context

Rembrandt Laughing, from the early 1630s, belongs to the series of facial expression studies that Rembrandt produced both as independent works and as preparatory material for his history paintings. The tronie of a laughing face — probably a self-portrait, though the identification is not certain — participates in the tradition of studies of extreme or unusual facial expressions that stretches back through Leonardo's caricature heads to classical sculpture's exploration of emotional states. In Dutch art, the laughing figure had specific cultural associations: Frans Hals had made joyous, laughing figures his specialty, and Rembrandt's own laughing tronies respond to and complicate Hals's apparently simple celebration of laughter. The painting is currently at the J. Paul Getty Museum in Los Angeles, part of the Getty's systematic building of a collection that includes significant Dutch Golden Age works alongside its broader European holdings. The laughing face, direct and unguarded, represents a side of Rembrandt's art quite different from the gravity of his great self-portraits and religious works.

Technical Analysis

The expressive, spontaneous quality of the open-mouthed laugh is achieved through quick, energetic brushwork, with the strong raking light catching the young artist's animated features against a dark background.

Look Closer

  • ◆Notice the open-mouthed laugh — a transient expression captured with the rapid, energetic brushwork appropriate to its fleeting nature.
  • ◆Look at the strong raking light catching the animated features: catching laughter requires different technical strategies than capturing composed dignity.
  • ◆Observe how this small self-portrait serves as a technical study in the rendering of an emotion that is difficult to paint without looking forced.
  • ◆Find the vitality in the young Rembrandt's expression — a twenty-two-year-old artist who finds his own laugh worth studying.

See It In Person

J. Paul Getty Museum

Los Angeles, United States

Visit museum website →

Quick Facts

Medium
Oil on copper
Dimensions
22.2 × 17.1 cm
Era
Baroque
Style
Dutch Golden Age
Genre
Self-Portrait
Location
J. Paul Getty Museum, Los Angeles
View on museum website →

More by Rembrandt

Jacob's Farewell to Benjamin by Rembrandt

Jacob's Farewell to Benjamin

Rembrandt·c. 1655

Young Man in a Turban by Rembrandt

Young Man in a Turban

Rembrandt·c. 1650

Hendrickje Stoffels (1626–1663) by Rembrandt

Hendrickje Stoffels (1626–1663)

Rembrandt·mid-1650s

Portrait of a Man Holding Gloves by Rembrandt

Portrait of a Man Holding Gloves

Rembrandt·1648

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612

The Flight into Egypt by Abraham Jansz. van Diepenbeeck

The Flight into Egypt

Abraham Jansz. van Diepenbeeck·c. 1650