_(after)_-_Robert_Banks_(1770%E2%80%931828)%2C_2nd_Earl_of_Liverpool_-_WOA_5953_-_Parliamentary_Art_Collection.jpg&width=1200)
Robert Banks (1770–1828), 2nd Earl of Liverpool
Thomas Lawrence·c. 1800
Historical Context
Robert Banks Jenkinson, 2nd Earl of Liverpool, whose portrait in the Parliamentary Art Collection is another version of Lawrence's frequently replicated portrait of the longest-serving Prime Minister in British history, presided over Britain from 1812 to 1827 — through the final defeat of Napoleon, the post-war economic depression, the radical agitation that culminated in Peterloo, and the gradual economic recovery of the early 1820s. Liverpool's political management — flexible on economic policy, firm on political order, capable of holding together a diverse cabinet — kept Britain stable through a period of revolutionary threat across Europe. His government's contradictions — supporting liberal commercial reform through free trade while suppressing popular political agitation — defined the ambiguous character of post-war British conservatism. The Parliamentary Art Collection's institutional context is particularly appropriate for the Prime Minister's portrait; the Palace of Westminster where the collection is displayed was the building in which Liverpool's policies were debated and approved. Lawrence's multiple versions of the Liverpool portrait reflect the institutional demand for images of the dominant political figure of the era.
Technical Analysis
Lawrence renders the long-serving Prime Minister with the quiet authority appropriate to a man who held power through steady competence rather than personal charisma. The composed expression and formal arrangement convey political gravitas, while the warm flesh tones humanize what might otherwise be a merely official likeness.
Look Closer
- ◆Notice the quiet authority appropriate to a man who held power through steady competence rather than personal charisma.
- ◆Look at the composed expression and formal arrangement conveying political gravitas without theatrical display.
- ◆Observe the Parliamentary Art Collection location: Liverpool's institutional portrait serves the documentation function commissioned portraits fulfilled.
- ◆Find the warm flesh tones that humanize an otherwise official composition: Lawrence never allows institutional purpose to eliminate personal presence.
See It In Person
More by Thomas Lawrence

Anna Maria Dashwood, later Marchioness of Ely
Thomas Lawrence·c. 1805
%2C_Later_Countess_of_Derby_MET_DP169218.jpg&width=600)
Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby
Thomas Lawrence·1790
_MET_DP162148.jpg&width=600)
The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894)
Thomas Lawrence·1823

Portrait of the Honorable George Canning, M.P.
Thomas Lawrence·c. 1822



