ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Rocher à la pointe de la Baumette by Armand Guillaumin

Rocher à la pointe de la Baumette

Armand Guillaumin·1893

Historical Context

The 'pointe de la Baumette' is a rocky promontory near Crozant where the Creuse and Sédelle rivers meet, its distinctive granite formation providing one of the area's most dramatic natural viewpoints. Guillaumin painted this specific rock face in 1893 at a period of maximum engagement with the Crozant landscape, and the canvas, now at the Wallraf-Richartz Museum in Cologne, represents the geological subject at its most reduced and powerful — a close view of an ancient rock formation treated almost as pure form and colour without the mediating narrative of human structures or figures. The Wallraf-Richartz, one of the great German collections of French painting from the medieval through the modern, holds this alongside the Agay coastal canvas also in this batch, demonstrating the museum's interest in Guillaumin's geographic range.

Technical Analysis

Oil on canvas with Guillaumin's rock-painting technique applied to a close-focus geological subject. The granite face is built from overlapping strokes in warm ochre, grey-brown, and the distinctive warm-pink of weathered Creuse stone, with cooler tones in the shadows and crevices. The composition is unusually spare — rock, perhaps water and sky in marginal passages — concentrating the pictorial energy on the geological subject itself.

Look Closer

  • ◆A close focus on a single rock face is among the most reduced compositional approaches in Guillaumin's Crozant series — formal simplicity in service of geological intensity
  • ◆The warm ochre-pink of weathered Creuse granite has a warmth that surprises viewers expecting grey — Guillaumin's accurate colour records this specific geological personality
  • ◆The pointe de la Baumette marks the confluence of the Creuse and Sédelle rivers, giving this rock formation a specific topographic significance within the valley's geography
  • ◆The Wallraf-Richartz holding of two Guillaumin canvases from different locations documents the museum's engagement with his geographic range as well as his technique

See It In Person

Wallraf–Richartz Museum

,

Visit museum website →

Quick Facts

Medium
canvas
Era
Impressionism
Genre
Genre
Location
Wallraf–Richartz Museum, undefined
View on museum website →

More by Armand Guillaumin

Portrait of the artist by Armand Guillaumin

Portrait of the artist

Armand Guillaumin·1875

Self-Portrait by Armand Guillaumin

Self-Portrait

Armand Guillaumin·1873

Le quai de Bercy, vers 1874 by Armand Guillaumin

Le quai de Bercy, vers 1874

Armand Guillaumin·1874

Le chemin sous le bois by Armand Guillaumin

Le chemin sous le bois

Armand Guillaumin·1875

More from the Impressionism Period

Michel Monet with a Pompon by Claude Monet

Michel Monet with a Pompon

Claude Monet·1880

Wind Effect, Row of Poplars by Claude Monet

Wind Effect, Row of Poplars

Claude Monet·1891

Rouen Cathedral by Claude Monet

Rouen Cathedral

Claude Monet·1893

Carrières-Saint-Denis by Claude Monet

Carrières-Saint-Denis

Claude Monet·1872