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Rock of Trestrignel
Maurice Denis·1920
Historical Context
The Trestrignel rocks at Perros-Guirec on the Breton coast were a subject Denis returned to across his career, beginning with the regattas he painted there in 1892. This 1920 canvas, now in the Museum of Modern Art in Saitama, Japan, shows the mature Denis approaching the same Breton geology with a very different pictorial vocabulary from the early Nabi years. The pink granite rocks of the Trégor coast, worn into extraordinary rounded forms by Atlantic waves, were among Brittany's most distinctive natural features and attracted generations of painters. Denis's post-war treatment reflects both the deepened solemnity of his religious painting and the broader tendency in his late work toward a more explicitly classical, Mediterranean-influenced landscape style. The Japanese collection context reflects the significant market for French Post-Impressionist work that developed in Japan during the early twentieth century.
Technical Analysis
The pink granite rocks of the Breton coast provide strong, warm-toned geological forms that Denis sets against the grey-green sea and sky. His mature landscape style gives these natural forms a sculptural clarity that connects them to the classical landscape tradition while remaining observationally specific to their Breton location.
Look Closer
- ◆The distinctive rounded forms of the Trégor pink granite rocks are the composition's primary subject
- ◆Post-war date (1920) brings a more sombre or meditative quality to a landscape Denis had been painting since 1892
- ◆Rock, sea, and sky are organised as three clearly defined registers within Denis's characteristic horizontal format
- ◆The 28-year gap between this canvas and the 1892 regattas from the same location marks the full trajectory of Denis's stylistic development

, oil on canvas, 41 x 32.5 cm, Musée d'Orsay.jpg&width=600)
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