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Saint Aloysius Gonzaga in Glory by Giovanni Battista Tiepolo

Saint Aloysius Gonzaga in Glory

Giovanni Battista Tiepolo·1726

Historical Context

Saint Aloysius Gonzaga in Glory, painted in 1726 and now in the Courtauld Gallery, coincides precisely with the canonization of the young Jesuit nobleman who died nursing plague victims in Rome in 1591 at age twenty-three. Pope Benedict XIII declared Aloysius a saint on December 31, 1726, and this painting — almost certainly a commission responding to the canonization — demonstrates Tiepolo's capacity for rapid, authoritative responses to events in the Catholic devotional calendar. Aloysius Gonzaga was the scion of one of Italy's most powerful noble families, his renunciation of his inheritance in favor of Jesuit religious life making him a Counter-Reformation emblem of aristocratic sacrifice. The Jesuit order, which ran numerous educational institutions across the Veneto, was an important source of artistic commissions for Tiepolo throughout his career. The Courtauld Institute acquired this work as part of its holdings of Italian Baroque and Rococo painting, where it stands alongside the museum's other significant Tiepolo works including the Two Heads of Angels.

Technical Analysis

Upward-surging composition lifts the young saint toward divine light, with putti and clouds creating the celestial architecture Tiepolo would perfect in his later ceiling frescoes. The bright, high-keyed palette conveys supernatural radiance.

Look Closer

  • ◆Notice the young Jesuit saint Aloysius Gonzaga lifted toward divine light in the year of his canonization — 1726 — this altarpiece likely celebrating the new saint's elevation.
  • ◆Look at the upward-surging composition with putti and clouds creating the celestial architecture Tiepolo would perfect in later ceiling frescoes.
  • ◆Observe the bright, high-keyed palette conveying supernatural radiance in this early work anticipating Tiepolo's mature luminosity.

See It In Person

Courtauld Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
58.1 × 44.6 cm
Era
Rococo
Style
Venetian Rococo
Genre
Religious
Location
Courtauld Gallery, London
View on museum website →

More by Giovanni Battista Tiepolo

Armida Encounters the Sleeping Rinaldo by Giovanni Battista Tiepolo

Armida Encounters the Sleeping Rinaldo

Giovanni Battista Tiepolo·c. 1742–45

Rinaldo and the Magus of Ascalon by Giovanni Battista Tiepolo

Rinaldo and the Magus of Ascalon

Giovanni Battista Tiepolo·c. 1742–45

Armida Abandoned by Rinaldo by Giovanni Battista Tiepolo

Armida Abandoned by Rinaldo

Giovanni Battista Tiepolo·c. 1742–45

Rinaldo and Armida in Her Garden by Giovanni Battista Tiepolo

Rinaldo and Armida in Her Garden

Giovanni Battista Tiepolo·c. 1742–45

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700