
Saint Mathieu
Perino del Vaga·1550
Historical Context
Perino del Vaga's Saint Mathieu (Saint Matthew), painted around 1550 in canvas and now in the Louvre, exemplifies the elegant, accomplished religious figure style that made him one of the most sought-after painters in Rome during the first half of the sixteenth century. Perino had been one of Raphael's most gifted assistants, participating in the Vatican Stanze and Logge, and the high standard of his training showed throughout his subsequent independent career. Saint Matthew, the tax collector who became an evangelist, was a figure whose transformation from worldly occupation to divine mission carried strong narrative appeal. Perino's late career work showed a characteristic refinement — smooth surfaces, cool clear colours, elegant figure types — that influenced an entire generation of Roman Mannerist painters. The Louvre's French collecting of his work reflects the prestige in which Roman Mannerist figure painting was held.
Technical Analysis
The canvas technique of this late work demonstrates Perino's mastery of smooth, layered oil application in the Roman manner. The saint's figure is modelled with the clear, cool light characteristic of Perino's palette — a silvery quality distinct from the warmer tones of Florentine practice — while his gesture and the book or pen of authorship are rendered with careful attention to symbolic clarity.
Look Closer
- ◆Matthew's pen and book identify him as the evangelist-author of the first Gospel and former tax-collector turned writer
- ◆The cool, silvery tonal quality of Perino's flesh modelling distinguishes his Roman manner from Florentine warmth
- ◆Notice the elegant, almost Raphaelesque figure type that Perino retained throughout his post-Raphael career
- ◆The angel that traditionally accompanies Matthew as his symbol may appear in the composition as a secondary figure

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