ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Saint Paul by Lucas Cranach the Elder

Saint Paul

Lucas Cranach the Elder·1600

Historical Context

Saint Paul at the Louvre (c.1600) is the companion to the Louvre's Saint Peter, together completing the most theologically freighted pairing in Christian apostolic iconography. Paul held unique significance for the Lutheran Reformation: his letter to the Romans, with its articulation of justification by faith alone, was the scriptural foundation of Luther's entire theological system. Luther's transformative reading of Paul's 'the just shall live by faith' during his tower experience at Wittenberg was, in his own account, the inception of the Reformation. A Cranach workshop Paul therefore carried a specifically Lutheran theological charge beyond its traditional iconographic role. The sword and book that identify Paul — martyrdom and scriptural authority — were entirely appropriate symbols for the movement that claimed Paul's theology as its origin. The Louvre's paired Peter and Paul holding likely entered the French national collections through the post-Revolutionary appropriation of religious art.

Technical Analysis

Paul is shown with sword and book, his traditional attributes, in the same format as the companion Peter. The sword references his martyrdom and his role as spiritual warrior; the book references his epistles and his importance as a theological author. The handling is consistent with Cranach's workshop production.

Look Closer

  • ◆Paul holds the sword of martyrdom upright, the attribute doubling as a formal vertical axis.
  • ◆The Lutheran gravitas is conveyed through a sober palette of dark drapery against neutral ground.
  • ◆Cranach renders the saint's face with individualizing realism rather than an idealized saintly type.
  • ◆Light falls from the left, creating a sharp shadow on the right side of the face.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
113 × 54 cm
Era
Baroque
Genre
Religious
Location
Department of Paintings of the Louvre, Paris
View on museum website →

More by Lucas Cranach the Elder

Judith with the Head of Holofernes by Lucas Cranach the Elder

Judith with the Head of Holofernes

Lucas Cranach the Elder·ca. 1530

Eve by Lucas Cranach the Elder

Eve

Lucas Cranach the Elder·1533–37

The Crucifixion by Lucas Cranach the Elder

The Crucifixion

Lucas Cranach the Elder·1538

Adam by Lucas Cranach the Elder

Adam

Lucas Cranach the Elder·1533–37

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612

The Flight into Egypt by Abraham Jansz. van Diepenbeeck

The Flight into Egypt

Abraham Jansz. van Diepenbeeck·c. 1650