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Saints Hermagoras and Fortunatus by Giovanni Battista Tiepolo

Saints Hermagoras and Fortunatus

Giovanni Battista Tiepolo·1736

Historical Context

Saints Hermagoras and Fortunatus, painted in 1736 for Udine Cathedral, honors the legendary first bishop of Aquileia — said to have been consecrated by Saint Mark himself — and his deacon Fortunatus, both martyred in the reign of Nero. As patron saints of the ancient Patriarchate of Aquileia, whose ecclesiastical authority extended over the Friuli, the Veneto, and parts of Austria and Slovenia, Hermagoras and Fortunatus had a significance that transcended local devotion: they anchored the entire northeastern Italian church's apostolic legitimacy. Tiepolo had been working for Udine's ecclesiastical institutions since his landmark Archbishop's Palace frescoes of 1726-28, and this cathedral altarpiece of 1736 continued a relationship of mutual benefit — the cathedral receiving Tiepolo's prestige, Tiepolo receiving the continuing patronage of one of Italy's most significant ancient bishoprics. The painting demonstrates his fully mature altarpiece style, with the saints commanding heavenly space while their attributes and martyrdom implements ground them in the historical narrative.

Technical Analysis

Monumental altarpiece composition lifts the two saints heavenward in a burst of divine light, with putti and clouds creating Tiepolo's characteristic celestial architecture. The rich liturgical vestments provide opportunities for brilliant color passages against the luminous sky.

Look Closer

  • ◆Notice the two patron saints of the Patriarchate of Aquileia lifted heavenward in a burst of divine light, with putti and clouds creating celestial architecture.
  • ◆Look at the rich liturgical vestments providing opportunities for brilliant color passages against the luminous sky.
  • ◆Observe this monumental altarpiece composition where Hermagoras and Fortunatus ascend in Tiepolo's characteristic celestial grandeur.

See It In Person

Udine Cathedral

Udine,

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
310 cm (height)
Era
Rococo
Style
Venetian Rococo
Genre
Religious
Location
Udine Cathedral, Udine
View on museum website →

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Armida Encounters the Sleeping Rinaldo by Giovanni Battista Tiepolo

Armida Encounters the Sleeping Rinaldo

Giovanni Battista Tiepolo·c. 1742–45

Rinaldo and the Magus of Ascalon by Giovanni Battista Tiepolo

Rinaldo and the Magus of Ascalon

Giovanni Battista Tiepolo·c. 1742–45

Armida Abandoned by Rinaldo by Giovanni Battista Tiepolo

Armida Abandoned by Rinaldo

Giovanni Battista Tiepolo·c. 1742–45

Rinaldo and Armida in Her Garden by Giovanni Battista Tiepolo

Rinaldo and Armida in Her Garden

Giovanni Battista Tiepolo·c. 1742–45

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700