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Samuel P. Avery (1822–1904)
Historical Context
Samuel Putnam Avery was one of the most important American art dealers and collectors of the nineteenth century, whose tireless advocacy for European art — and particularly Spanish painting — shaped the collections of several major American museums including the Metropolitan Museum of Art, which he helped found. Raimundo de Madrazo y Garreta painted him on a small wooden panel in 1876, producing an intimate portrait that records the personal relationship between the two men — Avery was both a professional contact and a genuine friend. Avery's role in bringing Raimundo's work to American collectors gave the portrait a particular significance: the agent who facilitated the market is commemorated in the same institution whose collection he helped build. The small panel format suggests informality — a personal work rather than an official commission, painted with the directness appropriate between two men who knew each other well.
Technical Analysis
The small panel support requires Raimundo to work on an intimate scale, concentrating all his attention on the face and essential details. Panel painting allows for very smooth, blended transitions because the rigid support prevents canvas texture from influencing brushwork. The result is a jewel-like precision consistent with the format's intimate scale.
Look Closer
- ◆The small panel format brings the viewer very close to the subject — Raimundo works at the scale of miniature portraiture while maintaining the freshness of direct observation
- ◆Avery's face carries the character of a self-made dealer — observant, practical, with the social confidence of a man who moved between artists and wealthy collectors with equal ease
- ◆The smooth panel surface allows Raimundo to blend flesh tones with greater delicacy than canvas permits, producing subtle tonal transitions characteristic of his most finished work
- ◆The informality of the format is consistent with a personal rather than official commission — Raimundo could be more direct and less flattering than a formal portrait demanded





