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Self Portrait by Élisabeth-Louise Vigée Le Brun

Self Portrait

Élisabeth-Louise Vigée Le Brun·1800

Historical Context

This 1800 self-portrait at the National Museum Cardiff shows Vigée Le Brun at the age of forty-five, toward the end of her years of exile. Having traveled through Italy, Austria, Russia, and Germany, the artist was preparing to return to France under Napoleon’s regime, and this self-portrait captures a moment of mature reflection and artistic confidence. Vigée Le Brun was the most technically accomplished and socially successful woman painter of the eighteenth century, achieving membership of the Académie Royale de Peinture et de Sculpture in 1783 and a clientele that extended from the French royal family to the courts of Russia, Austria, and Italy during her decade of exile following the Revolution. Her portrait manner combined the neoclassical formal values of her training with a quality of feminine intimacy and emotional warmth that made her portraits of women and children especially celebrated. Her ability to make her sitters appear simultaneously dignified and approachable was the technical foundation of her social success.

Technical Analysis

The self-portrait demonstrates Vigée Le Brun’s continuing mastery of luminous flesh tones and flattering light. Her self-presentation maintains the elegance and beauty she cultivated throughout her career.

Look Closer

  • ◆Vigée Le Brun paints herself in a simple dark dress and white collar — the expatriate artist presenting herself without courtly ornament.
  • ◆She holds a palette and brushes, declaring her professional identity in her own image — one of the few times she depicted her tools.
  • ◆Her expression is composed but thoughtful — a forty-five-year-old woman who has survived revolution and exile and is about to return home.
  • ◆The background is the most neutral of her self-portraits — a dark void that concentrates all attention on the face and hands.
  • ◆The palette she holds is streaked with still-wet looking paint — a detail asserting that the painting was made by a working artist, not a genteel amateur.

See It In Person

National Museum Cardiff

Cardiff, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
60 × 42 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Portrait
Location
National Museum Cardiff, Cardiff
View on museum website →

More by Élisabeth-Louise Vigée Le Brun

Julie Le Brun (1780–1819) Looking in a Mirror by Élisabeth-Louise Vigée Le Brun

Julie Le Brun (1780–1819) Looking in a Mirror

Élisabeth-Louise Vigée Le Brun·1787

Madame d'Aguesseau de Fresnes by Élisabeth-Louise Vigée Le Brun

Madame d'Aguesseau de Fresnes

Élisabeth-Louise Vigée Le Brun·1789

The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien by Élisabeth-Louise Vigée Le Brun

The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien

Élisabeth-Louise Vigée Le Brun·1787

Madame du Barry by Élisabeth-Louise Vigée Le Brun

Madame du Barry

Élisabeth-Louise Vigée Le Brun·1782

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Portrait of the Artist's Father, Ismael Mengs

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View on the River Roseau, Dominica

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Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

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Portrait of a Musician

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