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Self Portrait by Godfrey Kneller

Self Portrait

Godfrey Kneller·1690

Historical Context

This Self-Portrait from around 1690 belongs to Kneller's mature period, when he was firmly established as Principal Painter to William III and the unchallenged dominant figure in English portraiture. He produced multiple self-portraits across his career as demonstrations of his own abilities and records of his appearance. The 1690 version documents him at the height of his professional powers, with a confident self-presentation matching his social standing.

Technical Analysis

Kneller presents himself in gentleman's dress rather than working attire, asserting his status as a social equal of his aristocratic clients. The face is modeled with the same direct, slightly cool observation he applies to his male sitters. A palette or brush may be included as a discreet professional reference.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
53.5 × 44.5 cm
Era
Baroque
Genre
Portrait
Location
Victoria and Albert Museum, London
View on museum website →

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Charles Beauclerk (1670–1726), Duke of St. Albans by Godfrey Kneller

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Godfrey Kneller·ca. 1690–95

Lady Mary Berkeley by Godfrey Kneller

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A Member of the Howard Family of Ashtead by Godfrey Kneller

A Member of the Howard Family of Ashtead

Godfrey Kneller·ca. 1700

Thomas Betterton by Godfrey Kneller

Thomas Betterton

Godfrey Kneller·ca. 1690

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