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Self-portrait by Thomas Lawrence

Self-portrait

Thomas Lawrence·1787

Historical Context

Lawrence's 1787 self-portrait at the Denver Art Museum was painted when he was eighteen years old and had already been supporting his family with his artistic earnings for several years. Born in 1769, the son of a Devizes innkeeper, Lawrence had been drawing pastel portraits of guests from childhood, and by the early 1780s his talent was sufficiently advanced that his family had essentially lived off the income from his portraits. The self-portrait is a remarkable document of precocious self-awareness: the young man observing himself in a mirror and translating that observation into paint with an assurance that would have been extraordinary in a trained artist twice his age. He had arrived in London to study at the Royal Academy Schools in 1787, and the self-portrait documents the beginning of his metropolitan career with the confident self-presentation of someone who already knew his abilities. Reynolds, then in the last years of his life, recognized Lawrence's exceptional talent and reportedly told the young painter he needed only industry and the preservation of his genius to become a great painter. The Denver Art Museum's holding reflects the international distribution of Lawrence's works through the twentieth-century art market.

Technical Analysis

The youthful self-portrait already displays the confidence and fluency that would characterize Lawrence's mature work. The warm, direct handling of the face and the assured composition reveal an eighteen-year-old who understood his own powers and was determined to announce them to the world.

Look Closer

  • ◆Notice this is Lawrence at eighteen: the confidence and fluency already present at this extraordinary age.
  • ◆Look at the warm, direct handling of his own face: Lawrence examines himself with the same honest attention he brought to commissioned subjects.
  • ◆Observe the Denver Art Museum location: the teenage self-portrait of Britain's greatest portraitist lives in an American museum.
  • ◆Find the declaration of ambition in the composition: Lawrence is not merely practicing technique but announcing himself as a future master.

See It In Person

Denver Art Museum

Denver, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
59 × 50 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
Denver Art Museum, Denver
View on museum website →

More by Thomas Lawrence

Anna Maria Dashwood, later Marchioness of Ely by Thomas Lawrence

Anna Maria Dashwood, later Marchioness of Ely

Thomas Lawrence·c. 1805

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby by Thomas Lawrence

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby

Thomas Lawrence·1790

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894) by Thomas Lawrence

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894)

Thomas Lawrence·1823

Portrait of the Honorable George Canning, M.P. by Thomas Lawrence

Portrait of the Honorable George Canning, M.P.

Thomas Lawrence·c. 1822

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Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770