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Sir John Freeman-Mitford, Baron Redesdale by Thomas Lawrence

Sir John Freeman-Mitford, Baron Redesdale

Thomas Lawrence·c. 1800

Historical Context

Sir John Freeman-Mitford, Baron Redesdale, painted by Lawrence around 1800 and at the Parliamentary Art Collection, was Speaker of the House of Commons from 1801 to 1802 and later Lord Chancellor of Ireland. As Speaker, Freeman-Mitford presided over the House at a moment of fundamental constitutional transformation — the Act of Union joining Great Britain and Ireland took effect on January 1, 1801, and his brief Speakership covered the first year of the unified Parliament of the United Kingdom. His subsequent appointment as Lord Chancellor of Ireland made him the most senior legal officer in a country where his authority would be exercised over a population the majority of whom were excluded from full civil rights by the Penal Laws against Catholics. The Parliamentary Art Collection, which holds portraits for display in the Palace of Westminster, preserves Freeman-Mitford's portrait in the institution he presided over — the parliamentary context giving the portrait its full historical meaning. His ancestor, the Mitford of the famous Mitford sisters of the twentieth century, makes him a figure of genealogical interest beyond his immediate political significance. Lawrence's compositional authority with the large-scale 127 by 101.6 centimeter format is characteristic of his parliamentary commissions.

Technical Analysis

Lawrence presents the Speaker with appropriate parliamentary gravitas, the composed expression and formal bearing communicating public authority. The dark, restrained treatment is enlivened by the warm highlights on the face that give life to what might otherwise be a merely official likeness.

Look Closer

  • ◆Notice the parliamentary gravitas Lawrence gives the Speaker: the composed expression and formal bearing communicate public authority.
  • ◆Look at the dark, restrained treatment enlivened by warm highlights on the face: Lawrence's efficient formula for official portraiture.
  • ◆Observe the Parliamentary Art Collection location: Freeman-Mitford's portrait belongs to the gallery of British parliamentary leadership.
  • ◆Find the dignity without idealization: Lawrence gives the Speaker the authority of his office without falsifying his individual character.

See It In Person

Parliamentary Art Collection

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
127 × 101.6 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
Parliamentary Art Collection, London
View on museum website →

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Anna Maria Dashwood, later Marchioness of Ely by Thomas Lawrence

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Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby

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Portrait of the Honorable George Canning, M.P. by Thomas Lawrence

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