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Sir Philip Charles Durham as a Vice Admiral (about 1820) by Sir Henry Raeburn

Sir Philip Charles Durham as a Vice Admiral (about 1820)

Sir Henry Raeburn·1850

Historical Context

The portrait of Sir Philip Charles Durham as a Vice Admiral from around 1820 records the Scottish naval officer who had distinguished himself at the battles of Cape St Vincent, the Nile, Copenhagen, and Trafalgar — one of the most decorated naval careers of the Napoleonic era. Durham had served under Jervis, Nelson, and other commanders in the defining naval engagements of the period, and by the time Raeburn painted him as a Vice Admiral he was among the most senior figures in the Royal Navy. Raeburn's portraits of naval and military officers, produced throughout his career, document the Scottish contribution to British military power during the wars against Revolutionary and Napoleonic France. His direct, confident technique — painting faces with firm, square-cut brushmarks without preliminary underdrawing — was particularly well suited to military subjects, capturing the commanding presence and physical assurance of professional soldiers and sailors with an immediacy that more polished techniques could not achieve. The portrait's high date of 1850 in the source data likely reflects a later attribution uncertainty; the work's style suggests Raeburn's mature period around 1815 to 1820, consistent with Durham's known biography.

Technical Analysis

The naval portrait renders the admiral’s uniform and decorations with attention to rank insignia. Raeburn captures the commanding presence of a senior naval officer with characteristic directness.

Look Closer

  • ◆Durham's vice admiral's gold epaulettes and decorative braid signify his rank.
  • ◆Raeburn's square touch—bold direct strokes applied without blending—gives the face a forceful.
  • ◆A warship or sea detail in the background locates the sitter in his professional identity.
  • ◆The dark uniform against the light sky uses the classical portrait formula Raeburn made.

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Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
British Romanticism
Genre
Portrait
Location
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