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Sir Robert Peel (1750–1830), 1st Bt by Thomas Lawrence

Sir Robert Peel (1750–1830), 1st Bt

Thomas Lawrence·c. 1800

Historical Context

Sir Robert Peel, 1st Baronet, the Lancashire textile manufacturer and politician, is preserved in Lawrence's portrait at Manchester Art Gallery — an appropriately industrial city for a man who made his fortune through the calico printing industry that was at the center of the textile revolution transforming northern England in the late eighteenth century. The elder Peel began as a manufacturer, developing printing techniques that allowed calico fabric to be decorated at industrial scale, and converted his commercial success into political influence: he represented Tamworth in parliament and was a significant figure in the early industrial Toryism that sought to reconcile commercial wealth with the conservative political establishment. His son, the future Prime Minister Sir Robert Peel, built on this foundation to transform the Tory party into the Conservative Party and founded the modern police force. The Manchester Art Gallery's collection, assembled in the city that was the epicenter of the industrial revolution the Peel family helped create, provides exactly the right institutional context for this portrait: a documentation of the industrial wealth that was creating a new social class in Britain and gradually transforming the relationship between commercial success and political authority.

Technical Analysis

Lawrence portrays the elder Peel with the solidity and directness appropriate to a self-made man of business, the warm flesh tones and steady gaze conveying practical intelligence. The dark costume is handled with efficient brushwork that avoids the showy virtuosity Lawrence reserved for more glamorous sitters.

Look Closer

  • ◆Notice the solidity and directness Lawrence gives the elder Peel: this is a self-made industrialist, and the portrait projects earned rather than inherited authority.
  • ◆Look at the warm flesh tones and steady gaze conveying practical intelligence.
  • ◆Observe the efficient brushwork in the dark costume: Lawrence avoids the showy virtuosity he reserved for more glamorous sitters.
  • ◆Find the Manchester Art Gallery location: the Lancashire textile manufacturer's portrait lives in the city built by the industry he helped create.

See It In Person

Manchester Art Gallery

Manchester, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
92 × 71.3 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
Manchester Art Gallery, Manchester
View on museum website →

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Anna Maria Dashwood, later Marchioness of Ely by Thomas Lawrence

Anna Maria Dashwood, later Marchioness of Ely

Thomas Lawrence·c. 1805

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby by Thomas Lawrence

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby

Thomas Lawrence·1790

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894) by Thomas Lawrence

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894)

Thomas Lawrence·1823

Portrait of the Honorable George Canning, M.P. by Thomas Lawrence

Portrait of the Honorable George Canning, M.P.

Thomas Lawrence·c. 1822

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