ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Sir Robert Pullar (1828–1912), MP for Perth (1907–1910) by John Everett Millais

Sir Robert Pullar (1828–1912), MP for Perth (1907–1910)

John Everett Millais·1896

Historical Context

Sir Robert Pullar (1828–1912) was the proprietor of Pullars of Perth, the celebrated Scottish dyeworks firm that became one of the largest textile businesses in Victorian Britain. His commissioning of a portrait from Millais in 1896 — the year Millais was elected President of the Royal Academy and also the year of his death — places this among the final works the artist completed. Pullar served as MP for Perth from 1907 to 1910, and the Perth Art Gallery holds his portrait in the city where his business empire was based. A portrait by Millais was a mark of exceptional distinction, and Pullar's commission reflects both his personal wealth and his cultural ambitions for his business legacy. The Perth Art Gallery, appropriately, holds this portrait of one of the city's most prominent Victorian industrialists as a document of local commercial and cultural history.

Technical Analysis

Late Millais portraits from the 1890s demonstrate an increasingly broad and summary handling, consistent with both the painter's great age and experience and the demands of a very full portrait schedule. The face retains the careful likeness that his sitters expected, but the overall surface is more rapidly executed than his earlier portraits. The composition is formally conventional — a dignified older man, appropriate to a prominent businessman and future MP.

Look Closer

  • ◆The broader, more summary handling is consistent with Millais's very late portrait style of the mid-1890s
  • ◆The face retains the careful attention to likeness that his prominent sitters demanded
  • ◆The formal composition presents a successful Victorian industrialist with the gravity his status required
  • ◆As one of Millais's final commissions, the work carries a particular biographical significance

See It In Person

Perth Art Gallery

,

Visit museum website →

Quick Facts

Medium
canvas
Era
Romanticism
Genre
Genre
Location
Perth Art Gallery, undefined
View on museum website →

More by John Everett Millais

Pizarro Seizing the Inca of Peru by John Everett Millais

Pizarro Seizing the Inca of Peru

John Everett Millais·1846

Ferdinand Lured by Ariel by John Everett Millais

Ferdinand Lured by Ariel

John Everett Millais·1850

Mrs James Wyatt Jr and her Daughter Sarah by John Everett Millais

Mrs James Wyatt Jr and her Daughter Sarah

John Everett Millais·1850

Christ in the House of His Parents by John Everett Millais

Christ in the House of His Parents

John Everett Millais·1849

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836