ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

St Catherine by Lucas Cranach the Elder

St Catherine

Lucas Cranach the Elder·1600

Historical Context

The Saint Catherine with a date of around 1600 at the National Museum of Ancient Art in Lisbon presents a complex attribution: it carries Cranach's name but dates from nearly fifty years after his death in 1553, making it either a work by his son Lucas Cranach the Younger (1515-1586), a later workshop product, or a copy after a Cranach original. The Cranach workshop tradition was long-lived: Lucas Cranach the Younger continued his father's business at Wittenberg and later at Weimar, maintaining the family's distinctive style into the 1580s, and workshop assistants and followers extended the Cranach manner further still. The persistent commercial value of the Cranach name — both in the sixteenth century and in the art market of subsequent centuries — meant that attributions to 'Cranach' were applied to works of varying quality and date, and the Lisbon Saint Catherine participates in this extended tradition. The National Museum of Ancient Art, Portugal's primary art museum holding European painting from the medieval through the eighteenth century, holds this among its Northern European Renaissance works — a reminder of how widely Cranach's style and subjects circulated beyond Germany and into the Iberian art market.

Technical Analysis

The figure's elegant pose and smooth modeling follow the Cranach workshop formula, though the execution may show a less assured hand than the master's own. Decorative costume detail and the saint's emblematic wheel and sword follow established Cranach prototypes.

Look Closer

  • ◆Notice the wheel and sword — Saint Catherine's traditional attributes, the wheel on which her torturers attempted to kill her before beheading her, rendered with decorative precision.
  • ◆Look at the execution quality compared to Cranach's own works: the figure follows the master's formula but shows slight differences in the confidence of the drawing.
  • ◆Observe the 1600 date, which places this work nearly fifty years after Cranach's death — the persistence of his style attests to the commercial value of the Cranach brand.
  • ◆Catherine's elegant pose and fashionable dress follow the Cranach workshop prototype established decades earlier, demonstrating how standardized these images became.

See It In Person

National Museum of Ancient Art

Lisbon, Portugal

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Baroque
Style
German Baroque
Genre
Religious
Location
National Museum of Ancient Art, Lisbon
View on museum website →

More by Lucas Cranach the Elder

Judith with the Head of Holofernes by Lucas Cranach the Elder

Judith with the Head of Holofernes

Lucas Cranach the Elder·ca. 1530

Eve by Lucas Cranach the Elder

Eve

Lucas Cranach the Elder·1533–37

The Crucifixion by Lucas Cranach the Elder

The Crucifixion

Lucas Cranach the Elder·1538

Adam by Lucas Cranach the Elder

Adam

Lucas Cranach the Elder·1533–37

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612

The Flight into Egypt by Abraham Jansz. van Diepenbeeck

The Flight into Egypt

Abraham Jansz. van Diepenbeeck·c. 1650