
St Peter Walking on the Water
Alessandro Allori·1590
Historical Context
Saint Peter Walking on the Water, dated 1590 and on copper in the Uffizi Gallery, depicts the Gospel scene in which Christ calls Peter to walk toward him across the waves — an episode often interpreted as an allegory of faith, doubt, and salvation. The subject combined dramatic compositional elements (figures on water, sea and sky, a miraculous suspension of natural law) with the psychological drama of Peter's wavering faith as he begins to sink. Allori's copper-support version belongs to the late-career production of religious cabinet works that characterizes his output in the 1580s and 1590s. The copper support imposes technical demands that Allori consistently met: precise rendering of water, sky, boat, and figures within a restricted scale. The Uffizi context places this among the Florentine museum's holdings of Allori's devotional small works, which are well represented in its collection.
Technical Analysis
Copper's smooth non-absorbent surface enables Allori to render the reflective, moving water surface with precise brushwork — each wave crest and trough requiring controlled application. The figures of Christ and Peter must convey both spatial recession across the water and the psychological drama of the narrative.
Look Closer
- ◆Peter's sinking figure expresses the faith crisis through bodily posture — descent into water as loss of spiritual confidence
- ◆Christ's extended hand toward the faltering Peter is the compositional and theological focal point
- ◆The disciples in the boat, watching from a distance, frame the central encounter without participating in it
- ◆Water rendered on copper achieves an unusual luminosity — Allori exploits the support's qualities for this watery subject

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