Still Life with a Spaniel Chasing Ducks ("Water")
Jean-Baptiste Oudry·1719
Historical Context
Still Life with a Spaniel Chasing Ducks ("Water"), dated 1719 and at the Nationalmuseum in Stockholm, belongs to a series of allegorical still lifes representing the four elements — Water, Earth, Air, Fire — that Oudry produced in his early career. The four-elements series was a venerable format in Northern European still life painting, giving philosophical or cosmological coherence to what might otherwise appear as decorative accumulation of objects and animals. Oudry's version uses animal and aquatic subjects to represent Water, bringing his specific skills in painting dogs and birds into contact with the allegorical tradition. The Nationalmuseum's exceptional holding of multiple Oudry works including several from this series allows the full conceptual framework to be apprehended. The 1719 date places this among his early mature works, before the royal hunting commissions of the later 1720s.
Technical Analysis
Canvas with the allegorical still life composition requiring coordination between multiple subject types: the spaniel (animal painting), ducks (bird painting), and aquatic setting (landscape). Each element requires distinct handling — the dog's shaggy coat, the ducks' smooth waterproof feathers, the water's reflective surface — and Oudry integrates these without diminishing the specificity of each. The composition must serve both decorative and conceptual functions simultaneously.
Look Closer
- ◆Part of a four-elements series — Water represented through spaniel, ducks, and aquatic setting
- ◆Spaniel's shaggy wet coat contrasts with the ducks' smooth waterproof feathers in the same composition
- ◆Water reflections add a further surface type requiring distinct handling alongside fur and feather
- ◆The four-elements framework gives decorative still life a philosophical structure typical of Northern tradition


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