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The Bunch of Flowers
Paul Gauguin·1891
Historical Context
The Bunch of Flowers, painted in 1891 during Gauguin's first Tahitian sojourn and now in Moscow's Pushkin Museum of Fine Arts, belongs to the still-life tradition Gauguin practiced throughout his career. Floral still lifes offered him the opportunity to explore pure color relationships — the vivid tropical flowers of Tahiti intensifying the palette available in Brittany or Paris. This painting likely depicts local Polynesian flowers arranged with the compositional clarity of French still-life tradition combined with Gauguin's Synthetist handling of flat color areas and firm outlines. The Pushkin Museum, one of Russia's premier art institutions, assembled major Impressionist and Post-Impressionist holdings through pre-Revolutionary collecting.
Technical Analysis
Oil on canvas with tropical flowers as a pretext for bold color experiments — vivid reds, pinks, and whites against darker backgrounds, the petals and leaves rendered with the flat Synthetist approach Gauguin applied to all subjects in this period. The still-life format gives him full compositional control without the psychological complexity of figure subjects.
Look Closer
- ◆The tropical flowers are not European species — Gauguin identifies Polynesian blooms by color.
- ◆The flat background against which the bouquet stands is a chromatic field, not a described surface.
- ◆Gauguin's thick impasto in the flowers contrasts with the flatter paint of his figure paintings.
- ◆Color in the bouquet — reds, pinks, yellows — echoes the palette of his Tahitian figure paintings.




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