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The Death of Procris by Paolo Veronese

The Death of Procris

Paolo Veronese·c. 1558

Historical Context

The Death of Procris at the Gardner Museum illustrates the tragic coda to the myth of Cephalus and his wife Procris: Cephalus, given a javelin that never misses its mark by the goddess Diana, accidentally kills Procris while she is secretly watching him hunt, suspecting infidelity. Ovid tells the story in Metamorphoses VII with particular attention to the couple's mutual jealousy — Procris had herself been unfaithful — making it a meditation on how love and suspicion lead to irreversible tragedy. The horizontal format of this panel (35 × 75 cm) is consistent with the Gardner's sister panels from the same series, and the pastoral setting emphasizes the cruel irony of death arriving in a landscape of natural beauty. Veronese's ability to combine the pathos of death with visual elegance was central to his appeal for sophisticated Venetian collectors. Procris dying in the grass, Cephalus bending in horror over her body, the faithful hound Laelaps witnessing the scene — these elements gave the painter opportunities for varied figure poses within a tightly unified composition.

Technical Analysis

The composition captures the pathos of the discovery with restrained emotion. Veronese's palette combines the green tones of the forest setting with the pale flesh of the dying Procris, creating a mood of elegiac beauty.

Look Closer

  • ◆Notice how Veronese stages this scene of "The Death of Procris" with the theatrical grandeur and luminous color that defined Venetian Renaissance painting.

See It In Person

Isabella Stewart Gardner Museum

Boston, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
35 × 75 cm
Era
Mannerism
Style
Mannerism
Genre
Mythology
Location
Isabella Stewart Gardner Museum, Boston
View on museum website →

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Ezekiel by Paolo Veronese

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