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The Farmer's Wife and the Raven by George Stubbs

The Farmer's Wife and the Raven

George Stubbs·1786

Historical Context

The Farmer's Wife and the Raven from 1786 by George Stubbs illustrates one of Aesop's fables, giving the artist an opportunity to combine animal painting with literary narrative in a genre he rarely explored. The fable of the raven who mimics the eagle but becomes trapped in the sheep's wool provided a subject involving both bird and mammal, allowing Stubbs to demonstrate his versatility. His animal paintings of this period, the mid-1780s, represent a conscious effort to expand his range beyond equestrian portraiture—he was experimenting with enamel painting on ceramics and taking on unusual subjects that challenged his existing specialization. The inclusion of a human figure—the farmer's wife—required the figure painting skills Stubbs had developed but rarely exercised so prominently. The work is held at the Yale Center for British Art.

Technical Analysis

The fable illustration combines figure and animal painting with Stubbs's characteristic precision, the narrative elements integrated into a carefully composed landscape setting.

See It In Person

Yale Center for British Art

New Haven, United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
67.3 × 97.8 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Animal
Location
Yale Center for British Art, New Haven
View on museum website →

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The Third Duke of Dorset's Hunter with a Groom and a Dog by George Stubbs

The Third Duke of Dorset's Hunter with a Groom and a Dog

George Stubbs·1768

Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances by George Stubbs

Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances

George Stubbs·1769

White Poodle in a Punt by George Stubbs

White Poodle in a Punt

George Stubbs·c. 1780

Lions and lioness: rocky background by George Stubbs

Lions and lioness: rocky background

George Stubbs·1776

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Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770