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The Feast in the House of Levi
Paolo Veronese·c. 1558
Historical Context
The Feast in the House of Levi by Veronese at the Walker Art Gallery in Liverpool is related to — and perhaps preparatory to — his most famous and controversial painting, the vast 1573 canvas now in the Gallerie dell'Accademia that was originally titled 'The Last Supper.' When the Inquisition summoned Veronese in 1573 to explain why his painting included dwarfs, drunken German soldiers, a dog, and a parrot alongside Christ and the apostles, his response — that painters had the same license as poets and madmen — was both defiant and pragmatic; he simply retitled the work 'Feast in the House of Levi' rather than modifying it. The Walker Art Gallery in Liverpool, one of the finest regional art museums in Britain, holds this related work alongside a significant collection of Italian paintings that reflects the city's historic prosperity from Atlantic and Mediterranean trade.
Technical Analysis
The feast composition deploys Veronese's signature architectural framework — grand classical arches and columns — to create a spacious stage for the banquet scene. The brilliant chromatic range and the varied poses and interactions of the numerous figures demonstrate his supreme gift for organizing complex multi-figure compositions into harmonious, legible wholes.
Look Closer
- ◆Notice the grand classical arches and columns creating Veronese's signature architectural framework — a spacious stage for the banquet scene.
- ◆Look at the varied poses and interactions of the numerous figures, demonstrating his supreme gift for organizing complex multi-figure compositions into harmonious wholes.
- ◆Find the connection to the Inquisition controversy — this feast composition relates to Veronese's most famous painting, which he was forced to rename after being interrogated about inappropriate secular figures like dwarfs, Germans, and dogs.


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